Artifact #001

When everything started to move.

Artifact #002

“The everyday has a poetry we are not aware of.”

Artifact #003

Television revolution.

Artifact #019

Granite, split with precise yet unpredictable fractures, sits on the floor as though it had been waiting for centuries to be observed. The cracks form labyrinths that hint at unseen landscapes, territories that exist only in the mind. Light moves across its surface in slow waves, revealing textures that speak of patience, pressure, and time itself. Holding it in view is like holding a fragment of history that refuses to be explained, only felt.

Shallow pools of metallic resin lie on a low pedestal, reflecting light and absorbing sound simultaneously. The surface, still but restless in perception, fractures reflections into shards of potential movement. Observers sense depth where there is none, a suspended moment that seems both infinite and fragile. It is a meditation on pause, on the space between thought and action, captured in a material that resists narration.

Artifact #004

AI short film created for Runway Gen:48 First Edition
Experimental narrative on points of view.

Artifact #005

«Don’t rely on the software. Don’t let your computer decide for you. Use your eye, your intuition.»

Artifact #006

«In Heaven, everything is fine.»

Artifact #007

X-ray of a dream that won’t let go. In a suspended space —perhaps a night, a thought, or an entire lifetime— Sutura. unfolds as a sensorial journey through the psyche of a narrator adrift between wakefulness and remembrance. Shards of recollection. Faded visions. Emotions that surface before reason, echoing the slow, nonlinear process of healing. A present where time feels weightless. Eternal.

Artifact #008

“Antonomasia” immerses us in a dystopian world where over-digitalization erases human identity, reducing us to mere numbers. A story about the struggle to preserve individuality against a system that punishes those who dare to defy its rules.

Artifact #009

In a near future, a dull, overlooked man stumbles upon the entrance to an underground universe: a secret society of ants with their own thoughts, art, politics, and obsessions as human as they are absurd. Fascinated, he descends into this microcosm in the hope of finding meaning in his own life, only to discover a disturbing reflection of humanity itself—endless bureaucracy, existential crisis, impossible love, and a system collapsing under its own complexity.

Artifact #010

«All my friends got flowers in their eyes.»

Artifact #011

«Dale limosna, mujer, que no hay en la vida nada, como la pena de ser, ciego en Granada.»

Artifact #012

A series of experiences that you do not choose and that you have experienced out of fear of loneliness. A reflection on how the passing of time makes you belong nowhere, as if you were just another tune in the middle of a set of stations.

Artifact #013

Drive My Car follows Yūsuke Kafuku, an actor and theater director still haunted by the sudden death of his wife, with whom he shared a complicated marriage full of secrets and silences. Invited to stage a play in Hiroshima, Kafuku is required—reluctantly—to accept a young woman named Misaki as his personal driver.

Artifact #014

Artifact #015

Francisco de Goya holds a pivotal place in art history for bridging classical tradition with the emerging spirit of modernity. His work confronted the violence, politics, and collective fears of his time, making him a sharp and fearless observer of the human condition. From his court portraits to the haunting Black Paintings, Goya opened new aesthetic and emotional paths that influenced generations to come, foreshadowing Romanticism, Expressionism, and the introspective gaze of contemporary art.

Artifact #016

Kodak advertisement.

Artifact #017

A reflection on how the world lives oblivious to its own deterioration.

Artifact #018

«Weniger, aber besser.»

Artifact #020

«My work is to stop anyone I can with an arresting or puzzling image, and entice the viewer to read the message in small type and above all to attend the exhibition.»

Artifact #021

“To describe is to destroy; to suggest is to create.”